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Do We Want Drama or Decorum?

After weeks of allegations against Julia Gillard in Parliament over the AWU slush fund, cries are being issued far and wide for a saner, politer, more factual Parliament. What happened to decorum, we keep asking? But if it’s politeness and the facts we’re after, what keeps us watching? What’s the appeal of seeing someone dragged through the mud or cleverly insulted? And if we’re wanting real — the real Julia, the real issues and the real deals do we even know what real looks like?

We’re still waiting for the real Julia. Unfortunately, both for us and for her, I’m not sure we can handle the real thing. Last Monday, after another hammering in question time over her now notorious ex-boyfriend Bruce Wilson, Julia Gillard made an artful series of volleys aimed at Julie Bishop, her assailant.

In her delightfully choreographed defence, Gillard covered her innocence in the affairs of JFK, Harold Holt and the fabrication of the moon landing and ended with her assurance to those of us listening rather than watching, that the silent leader of the opposition was indeed present in the house. It was game, set and match in a tournament of interpersonal political tennis, and for a fleeting moment Big Brother Canberra made entertaining viewing.

But are we getting tired of the game? So much has been written lately about bad behaviour in parliament and on the part of politicians in general, that it would seem that we are. But there’s something about the verbal punch-ups that both gets our attention and contributes to our cynicism. Like we’ve got an itch to scratch but we’re always just to one side of it; the relief never comes but we just keep on scratching.

It’s no wonder then that there have been so many attempts to get some kind of real response from Gillard about the AWU scandal. No wonder that Neil Mitchell, Leigh Sales and John Faine among others all seem to want to get to some genuine scrap of feeling here. Because anything else is just sport. And at least with sport you’re allowed the occasional real tear. In contemporary political life all emotion is now muted or manufactured.

you can read the rest of this article at newmatilda